Solomun plays a major role in redefining European house music with productions, remixes and DJing by taking the very building blocks of house and deftly reconstruct them with a modern twist. A respected underground producer for a number of years, his stratospheric rise in popularity kicked off in 2012. Already before the reader´s polls of the big magazines regularly see him in top ranks in every important category. But after a legendary first season on Ibiza with his „Diynamic Neon Nights“ at Sankeys, where he and his label crew made this new challenge a take-over, he is playing and winning awards all around the world. Besides that he will start this summer his own night every Sunday at Pacha/Ibiza with his new concept “Solomun +1”. Solomun loves working in the studio but his passion for DJing and performing can not be questioned from anyone who had seen him playing all around the world.
Hard earned respect from your peers is a rare commodity but Huxley, aka Michael Dodman, has it in spades. Since his late teens he’s been producing, seeing initial underground success as a garage producer before his sound partly mutated towards a deeper, house-based sound in the past few years. Collaborations with old mate Ethyl for the then hot-as-hell Cecille imprint in 2009 showed a producer receiving massive support for what instantly seemed like a fully developed sound.
Since then, Huxley has delivered releases for an enviable roster of labels (Tsuba, Morris Audio, Fear of Flying, Hypercolour and 20:20 Vision for starters) and has stayed true to his robust, bass-led strain of house music that reflects his formative interests in UK and US Garage, with critics, punters and peers lapping up each release and remix. Whether veering towards deeper vibes alongside Ethyl on his own Saints & Sonnets imprint, turning in cast iron grooves for Tsuba or full vocal barnstormers like his lauded ‘Let It Go’ single for Hypercolour early 2012, there’s a clearly defined but pliable and versatile sound to Huxley productions that marks him out as a truly talented producer.
Going forward, there’s more of the impeccable same and more than a smattering of surprises on the way from Huxley. Singles for his tight knit group of labels (he just describes them as ‘mates’), more collaborative projects with the likes of Sam Russo and Ethyl, production projects for vocalists (he’s not naming names) and carefully chosen remixes are all on the way and, if anyone who has heard recent sets for Rinse FM and Fact Magazine will know, more on-point DJ sets that span house, garage, techno and beyond.